My Fair Book Cover: or Don't Judge a Book by Its Cover (Or its Title)

How do you decide how to title your book or make a cover? There must be a lot of marketing involved in these plans because covers, and even titles, sometimes, change depending on which country the book is going to be released in. For example, if you look at the Shopaholic series by Sophie Kinsella, I noticed that the US released books are very bright, colorful and cartoonish. This is in contrast to The UK released editions which are still cartoonish but dimmer in color hues and more emphasis is placed on the words in the title. (Se below):

UK (Left)     Vs.     US (Right)

As you can see the UK versions of Sophie Kinsella’s Shopaholic series all conformed to the same style of cover. The US also had unity in their covers, however, by the 5th book in the series, Shopaholic and Baby, they no longer maintained the Shopping “tag” look and instead, conformed to the Shopping “bag” covers which were created for a second release in the US. The latest Shopaholic novel, Mini Shopaholic has deterred from the convention of both the UK and US art work (as you can see below). However, the UK edition still maintains a “duller” appearance using softer colors, whereas the US edition maintains its vibrancy:

     UK (Left)  Vs.  US (Right)

An even more obvious example of the difference between the UK and US editions of a book’s release is evident in Lindsey Kelk’s debut “I Heart” series. The UK books have more emphasis on the words in the title and the color palette of the novel is much plainer. This is in stark contrast to the US released “I Heart” novels in which the covers portray a cartoon woman with luggage in tow, staring off into the distance of the city of the book’s title. In fact, I recently ordered the first novel of the series, I Heart New York, and was somewhat disappointed that I received the more “bland” UK edition (See the difference below):

UK (Left) VS. US (Right)

Having received this book, it really got me thinking about what makes a cover so much more appealing to me than others? You know when you walk into a bookstore, solely to peruse the shelves and you don’t really know exactly what you are looking for but there is a brilliantly colored book (or two) that catches your eye like a diamond shining brightly in the middle of the masses of other books in the room. Or you keep taking books out by their spine to see what they are called, maybe they are written by a familiar author or maybe it was because that flashy cover caught your attention – either way, something about the title either grabs you and keeps your attention or causes you to gently place it back on the shelf (or maybe not so gently if it arouses something displeasing in your mind). So what is it that makes or breaks these books? Is it the bright cartoon characters on the cover or lack thereof? Is it the alliteration, irony or satirical nature of the title? You know the phrase “don’t judge a book by its cover”? Do we really live up to this demand on readers? Is it really possible not to form a preliminary opinion on a book, its author and/or its content based on our first glance impression of its cover page? I’m sure if you ask the marketing team that created that cover, they would most gladly (and proudly) shake their heads, “no”. After all, if we did not all make an initial judgment on the book, they would be out of a job!

So what I want to know is: what draws you to pick up one book over another? What kinds of titles make you think “Now that’s a book I’d like to read?” And if you are an author (aspiring, published or otherwise), please share with me how you chose your title and what kind of input (if any) you had on your book’s cover? As a psychology major, I am always curious about the inner workings of the human mind and spirit. So what makes a book signal out to the brain that feeling of happiness and glee that comes when we make our final purchase and bring it home to place amongst the rest of our collection on its proper shelf? I know for me, I love bright, nail polish colors, I love the cartoons and I love the vibrancy I see on each chick lit cover. As far as titles go, I also really love books that make a play on words, like a double entendre, or those that use alliteration, irony, an allegory, historical or other reference. For example, even when I create blog posts, I often try to make my titles a play on words by using the existing title of a book I'm currently reading and twisting it up to reflect the post's content. Now your turn: What books draw your eye?

Exclusive video extract from Mini Shopaholic - Sophie Kinsella

I am so excited to share this on my blog page with all my fellow Chick Lit Readers and Writers!! Sophie Kinsella's newest Shopaholic book is due out in September and we are sure to get a laugh-a-page with Becky Bloomwood and the newest edition to her and Luke's family. See the exclusive link (here) of Sophie Kinsella reading and extract from the book herself. (I grabbed the feed from her website http://www.sophiekinsella.co.uk/). Also, in other Sophie Kinsella/Madeleine Wickham news, I saw at my local bookstore this weekend (and read on her website thereafter) that the books published under her real name, Madeleine Wickham are being rereleased with all new covers, one after another. The first two are A Desirable Residence and Cocktails for Three. I thought it was interesting (but smart marketing!) how the covers both say, "Sophie Kinsella as Madeleine Wickham" even though MW is her REAL name.

Just some fun chick lit news. Hope it brightens up your Monday!

Exclusive video extract from Mini Shopaholic - Sophie Kinsella

Sister, Sister - Relations, Similarities, Connections and Cameos in Novel Writing

A while ago, I mentioned that series Chick Lit is one of my favorite types of novels to read. I think one of the main reasons I love it so much is that I get so attached to the characters and then become eager to follow them longer. If series take my number one rank, I would have to say that the appearance of character cameos (especially surprise mentions), is my second favorite. In a series, you expect the same characters to return, but in unrelated novels, by the same author, you wouldn’t necessarily have any expectation that the long lost heroine of your previous favorite novel would be back so soon in the latest release; but that is exactly what makes it so fun = the Unpredictability Factor of Surprise and Awe.

Originally the phrase "cameo role" referred to a famous person who was playing no character, but him or herself. Like a cameo brooch—a low-relief carving of a person's head or bust—the actor or celebrity is instantly recognizable. More recently, "cameo" has come to refer to any short appearances, whether as a character or as oneself.

Cameos are also common in novels and other literary works. “Literary cameos” usually involve an established character from another work who makes a brief appearance to establish a shared universe setting, to make a point, or to offer homage. Balzac was an originator of this practice in his Comédie humaine. Sometimes a cameo features a historical person who "drops in" on fictional characters in a historical novel, as when Benjamin Franklin shares a beer with Phillipe Charboneau in The Bastard by John Jakes.

One of my favorite authors, Emily Giffin does this in a few of her books. I felt so lucky when I won a “First Reads” copy of her latest novel, Heart of the Matter, through Goodreads’ author giveaways. I was even more delighted when it came in the mail and I could rip right through it as fast as my eyes would possibly read. One of my most favorite parts (other than the book, itself, being a new fabulous story of the intersecting lives of two women and their relationships and the very real turmoil that can occur when temptation, passion, lust and hindsight can cause all kinds of chaos amongst the lives of those you love most) was the cameo appearances of both Dex and Rachel from the beloved first novel , Something Borrowed. Dex is apparently Tess Russo's brother and we meet him again at family affairs and Tess even turns to hm and Rachel for advice as her life takes a parallel not to dissimilar from the beginning of their relationship. Unfortunately, however, because I was one of the first of my friends to read it, I had no one I felt I could share the good news with unless I was prepared to ruin the element of surprise that had made it so fun. Instead, I chose too vaguely refer to it in my review of the HOTM. You better believe it was the first thing I asked my fellow readers about when they had read it though:)

In such a way, a cameo appearance can be made by the author of a work to put a sort of personal "signature" on a story. Knowing this, I want to go back to the first Emily Giffin book I read that was actually her fourth book published, Love the One You’re With. It would be really interesting to me to see if these appearances pop up in more of her literary works.

On a similar note and as you probably have already been thinking about – cameos are much more commonplace in movies. As the definition, above, provided, a cameo is noted for its quick, yet unmistakable appearance and the actor, famous person, person of interest, etc. is almost never included in the credits for such a brief stint, which to me, brings even more of the magic and fun – similar to the element of surprise I referred to in HOTM. After all, a cameo wouldn’t be a cameo if we expected it to come.

  

I read recently (as I have been following, somewhat obsessively) that Emily Giffin will be making a cameo appearance of her own in the movie version of Something Borrowed, still in production in NYC. I read that other writers have done the same thing, including Lauren Weisberger, who portrayed Miranda Priestley’s children’s Nanny in the movie version of The Devil Wears Prada. I will definitely have to watch this movie more closely to witness this for myself. With all the Sophie Kinisella movies that have been in pre-production or at least picked up for thoughts of turning them into a screenplay, it will be really fun to see if there are any Shopaholic references or appearances by Ms. Wickham (Kinsella), herself!

I think it is important to note that stories or films that try to “hype” up their newest release by using characters from a previous work of fiction as a segue into the new novel are not included in the definition of cameos. Instead, these types of connections are called “spin-offs”. For example, in my era, Beverly Hills, 90210 was the popular show of choice for teens and women alike. To build excitement for the next soap opera, produced by media giant, Aaron Spelling, Melrose Place, Jake, a character from Melrose Place made his first appearance on 90210, as a contractor to Kelly Taylor’s mother’s home. In the first episode of Melrose Place, the crossover of characters continued as we see Kelly and friend, Donna Martin leave their famous zip code and venture on over to the apartment complex, soon to be just as famous, Melrose Place. Kelly and Jake have a (very) short-lived romance and sure enough, by episode three, Melrose Place had completely “spun off” on its own.

For now, I will continue to work on my own novel and who knows, if the characters become as likeable as I hope they will grow and develop to be, maybe I will be creating links, connections and future appearances in more of my own novels to come – and hey, if someone wants to put me on screen one day in the cinematized version of my book, please, by all means, count me in!

Happy Writing!